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But James uses the familiar framework to build a complicated structure of arguments and insights. Of course Dalgleish always gets his man or woman in the end, and the culprit is usually the least likely person. "A small group of suspects, if each was intelligent and prudent enough to keep his or her counsel and resist the fateful impulse to volunteer more than was asked, could complicate any investigation and bedevil the prosecution." Solving a murder among a group of highly educated and articulate people is less likely still, as Dalgleish recognises. A police investigation without teams of technicians seems impossible nowadays, and murder in the middle classes is statistically improbable. This kind of book requires determined suspension of disbelief. His resident editor, his downtrodden daughter and the island's assorted inhabitants form the requisite closed circle of suspects, all shut up together for the duration along with Scotland Yard's Commander Adam Dalgleish and his inspector and sergeant. The description makes it sound very like Lundy, but an author's note insists that Combe exists "only in that interesting psychological phenomenon, the imagination of the crime novelist".Ī world-famous writer is found hanging from the topmost railings of the lighthouse.
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It was once a pirates' lair, then a private estate, and was eventually taken over by a charitable trust.
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Being hard or impossible to reach, an island setting for a murder mystery is the equivalent of the traditional snowed-in manor house, and as the late Lord Hardinge of Penshurst, who for decades was the most influential crime-fiction editor in Britain, once remarked, "most crime writers feel the need to write an 'island book' sooner or later."Ĭombe Island lies 12 miles off the north coast of Cornwall. Unique settings are a PD James speciality, from a tower on a Dorset hilltop, a nuclear power station on the East Anglian coast and a particular London church to, in this book, an offshore island used as a high-security hideout for VIPs.
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The earnest viewpoint is combined with playful use of the conventions of the mystery game, a formal pattern in which suspects come forward in turn, as the detectives scrupulously consider a series of clues and motives. The Lighthouse is a whodunit which takes murder seriously this writer never lets her readers forget that death is no joke. Her people, places and plots are as artful as ever and her dialogue, having always been uncolloquially correct and expletive-free, does not date. At 85 she is still a working peer, more actively involved with the world than most authors. Luckily her successor PD James presents no such problems.
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